IMAGES FILE EVIDENCE
All Sumerian textual images listed here are from L.A. Waddell – Makers of Civilization in Race and History, London, 1921. They consist of an upper line from texts recovered in excavations in Mesopotamia featuring Indus type Sumerian letters (upper line) in comparison with actual Mesopotamian-type pictographs, all of them pre-cuneiform. Our listings indicate a generic connection between West African, Middle Eastern and Indus valley inscriptions of the Sumerian mother-culture. All bronze/copper artifacts listed here are from the Thurstan Shaw excavations,
Plate 1a (Left - Igbo Ukwu): Various pictographs of Sumer can be seen on this bronze stand: a hand curving to the right of observer is the letter A. The ‘hand’ is the syllabic sound KAD: meaning A-KAD! Theforehead double concentric circle is the emblem of Sargon the Great, cf. plate 1b, (right) Pre-CuneiformSumerian letters: concentric circle (Sharu) plus Man (Gin) = Sharru-Gin anglicized as ‘’Sargon. See also Omphalos symbol for Bara and surrounding Serpent Writing
Plate 1c (left): Igbo Ukwu – two copper rings joined into a Versica Pisces. No one could explain this symbol until now. The Sumerian symbol in plate 1d (right), middle, shows it to be the pictograph for the word NER (part of the name of Sumerian king NARMER (who annexed Egypt’s in 3,100 BC and was known there as MENES). Menes later conquered his home state Magan which the Sumerian inscriptions on NOK artifacts reveal to be Nigeria (as illustrated in plate 11a). MENES, as Waddell reveals, was the rebel Crown Prince of Sargon the Great, who in opposition to his father moved to Egypt, established himself as King and returned to overrun his father’s kingdom, thus creating Upper and Lower Egypt. Menes’ title AKA is the Igbo mystical word MGBA AKA (circle with a dot in the center – the Mother-Goddess enveloping the Son/Egyptian NUN enveloping the SUN-God). It is Sargon’s concentric circle!
Plates 1e (left): Igbo conical hat Okpu-agu worn by local chiefs, initiates, king-companions in the Eri cultural dressing (Eri is reputed as the Deluge survivor immigrant/Igbo version of Noah, who brought culture). Plate 1f (right): the design of Igbo Eri hat is featured as the Sumerian pictograph for the word ERI! Next to it is the Sumerian letter BU, which stands for the “Serpent Land” where Akkad is located. BU is obviously the Sumerian spelling (or Waddell’s faulty transcription) for the word EBO (also spelt IGBO).
Plate 1g Plate 1h Plate 1i
Plate 1g, h, i: Two symbols of two Sumer’s cities – (e, left, upper) The Grail Cup called UDU or DU in Sumerian. Plate 1f (center): The actual Sumerian Grail Cup excavated in Igbo! In Igbo Eri tradition, an earthenware pot/cup called UDU/UDUDU is the emblem of spiritual authority of the king, and must be possessed by every reigning Eri/Nri king. Thus Sargon/Nimrud was an Eze Eri/ Eze Nri! Nimrud was also called Bakkus – ‘god of Wine’. Perhaps this was the Grail Cup he drank from before his death and canonization! Plate 1g (right): This decorated canine teeth recovered from Igbo Ukwu, can be seen to be physical representation of the lower Sumerian pictograph in plate 1e. It is the Sumerian emblem and pictograph for the sound and the city of URUK (city ruled by Gilgamesh, but founded by Nimrud), as well as of Uruk’s mother state, UR (as recorded by Waddell). Sargon is noted in history as having conquered.
Plate 1g, h, i: Two symbols of two Sumer’s cities – (e, left, upper) The Grail Cup called UDU or DU in Sumerian. Plate 1f (center): The actual Sumerian Grail Cup excavated in Igbo! In Igbo Eri tradition, an earthenware pot/cup called UDU/UDUDU is the emblem of spiritual authority of the king, and must be possessed by every reigning Eri/Nri king. Thus Sargon/Nimrud was an Eze Eri/ Eze Nri! Nimrud was also called Bakkus – ‘god of Wine’. Perhaps this was the Grail Cup he drank from before his death and canonization! Plate 1g (right): This decorated canine teeth recovered from Igbo Ukwu, can be seen to be physical representation of the lower Sumerian pictograph in plate 1e. It is the Sumerian emblem and pictograph for the sound and the city of URUK (city ruled by Gilgamesh, but founded by Nimrud), as well as of Uruk’s mother state, UR (as recorded by Waddell). Sargon is noted in history as having conquered.
Plate 1j Plate 1k Plate 1l
Plate 1j (left): The highly dilapidated scull of the monarch buried in the buried city under the present town of Igbo Ukwu, probably still partially preserved because of the huge copper presence in the tomb. Plate 1k (middle): one half of the Copper Crown worn by the monarch into the grave. It bears Sargon’s emblem of the quadrangle. However the double horns on it spell MEN/MAN, as in plate 1c above. The quadrangles spell SHAR. Together they spell MEN SHAR (according to Waddell). Sumerian can be read from right to left and vice versa. SHAR MEN Means EMPEROR MENES! (Egyptian records claim that Menes died in an expedition to Upper Egypt.) Plate 1l (right): Igbo Ukwu Sun seal worn by monarch.
Plate 1j (left): The highly dilapidated scull of the monarch buried in the buried city under the present town of Igbo Ukwu, probably still partially preserved because of the huge copper presence in the tomb. Plate 1k (middle): one half of the Copper Crown worn by the monarch into the grave. It bears Sargon’s emblem of the quadrangle. However the double horns on it spell MEN/MAN, as in plate 1c above. The quadrangles spell SHAR. Together they spell MEN SHAR (according to Waddell). Sumerian can be read from right to left and vice versa. SHAR MEN Means EMPEROR MENES! (Egyptian records claim that Menes died in an expedition to Upper Egypt.) Plate 1l (right): Igbo Ukwu Sun seal worn by monarch.
Plate 1m Plate 1n Plate 1o
Plate 1m (left): Igbo Ukwu rider on a saddled horse. The horse-rider wears the Igbo/Sumerian Eri conical hat. The saddled horse was a Sumerian invention and gift to the world. The horse’s eye is the concentric circle symbol of Sargon. The Palm frond symbol on the rider’s face and horse’s body is the Sumerian symbol of their goddess or writing, Nisaba who, as Sumer’s texts claim, tutored the inhabitants of Akkad. The Palm Tree is the Sumerian Tree of Life (Axis Mundi). The rider holds a traditional Igbo drinking horn. Nimrud was the Wine god Bakkus and was characteristically called ‘Lord of the Tree of Life’. This then was an emblem of Nimrud! Plate 1n (middle): Fish is Sumerian pictograph for KHA. Ape-man is the Igbo forest god AD/ADU – Sumerian Adites/Hindu Adythas! Both form the generic word KHA-D or KHA-ADU – the generic origin of the Sumerian words AKKAD and AKKADIAN. Plate 1o (right): the breast-plate worn by the monarch to the grave with some of his many beads. Hindu kings dressed this way in the national epics.
Plate 1m (left): Igbo Ukwu rider on a saddled horse. The horse-rider wears the Igbo/Sumerian Eri conical hat. The saddled horse was a Sumerian invention and gift to the world. The horse’s eye is the concentric circle symbol of Sargon. The Palm frond symbol on the rider’s face and horse’s body is the Sumerian symbol of their goddess or writing, Nisaba who, as Sumer’s texts claim, tutored the inhabitants of Akkad. The Palm Tree is the Sumerian Tree of Life (Axis Mundi). The rider holds a traditional Igbo drinking horn. Nimrud was the Wine god Bakkus and was characteristically called ‘Lord of the Tree of Life’. This then was an emblem of Nimrud! Plate 1n (middle): Fish is Sumerian pictograph for KHA. Ape-man is the Igbo forest god AD/ADU – Sumerian Adites/Hindu Adythas! Both form the generic word KHA-D or KHA-ADU – the generic origin of the Sumerian words AKKAD and AKKADIAN. Plate 1o (right): the breast-plate worn by the monarch to the grave with some of his many beads. Hindu kings dressed this way in the national epics.
Plate 2a Plate 2b
Plate 2a: (left, Igbo Ukwu) Ornate Elephant heads with SHAR symbols of Sargon (cf. Plate 1b). Plate 2b (right, from Indus Valley Harappan civilization ‘The wild Bull’ Emperor has two elephants, symbol of Sargon’s son Narmer (Menes), the Sumerian Fish symbol (QA/KWA) is the generic name for the Southern Nigerian Tribes. Notice the Sumerian stylized X letters (above right, compare with plate 4a) meaning GAN – ‘Garden of Eden’, according to Waddell, implying that this emperor is from the GAN lineage in Eden.
Plate 2a: (left, Igbo Ukwu) Ornate Elephant heads with SHAR symbols of Sargon (cf. Plate 1b). Plate 2b (right, from Indus Valley Harappan civilization ‘The wild Bull’ Emperor has two elephants, symbol of Sargon’s son Narmer (Menes), the Sumerian Fish symbol (QA/KWA) is the generic name for the Southern Nigerian Tribes. Notice the Sumerian stylized X letters (above right, compare with plate 4a) meaning GAN – ‘Garden of Eden’, according to Waddell, implying that this emperor is from the GAN lineage in Eden.
Plate 3a Plate 3b
Plate 3a (Left, top line left): The crescent Moon hugging the sun disc is an astronomical Sumerian pictograph for GAN (Eden).Plate 3b (right) – a Prehistoric Sun and Moon-Shrine in Lejja, Enugu State, Igbo land, Nigeria. The central pile covers a bottomless pit. Is this the Egyptian Table of the Sun, said to be located in Sub-Saharan Africa? Certainly this is the crescent and sun-disc landmark represented by the Sumerian pictograph in plate 3a.
Plate 3a (Left, top line left): The crescent Moon hugging the sun disc is an astronomical Sumerian pictograph for GAN (Eden).Plate 3b (right) – a Prehistoric Sun and Moon-Shrine in Lejja, Enugu State, Igbo land, Nigeria. The central pile covers a bottomless pit. Is this the Egyptian Table of the Sun, said to be located in Sub-Saharan Africa? Certainly this is the crescent and sun-disc landmark represented by the Sumerian pictograph in plate 3a.
Plate 4a Plate 4b
Plate 4a (left): The Sumerian X pictograph is a third symbol for GAN (“EDEN”). It appears to be the origin of the Swastika, in its Harappan rendering above the older Sumerian original (below). 4b (right): Native Igbo commonest shrine symbol of the Earth Goddess is an obvious indication of the Nigerian location of Eden. This is know2n in esoteric quarters as the Tetragram of Solomon and Moses!
Plate 4a (left): The Sumerian X pictograph is a third symbol for GAN (“EDEN”). It appears to be the origin of the Swastika, in its Harappan rendering above the older Sumerian original (below). 4b (right): Native Igbo commonest shrine symbol of the Earth Goddess is an obvious indication of the Nigerian location of Eden. This is know2n in esoteric quarters as the Tetragram of Solomon and Moses!
Plate 5a Plate 5b
Plates 5a,b: Ancient Igbo Step-pyramids (Sumerians called them Ziggurats) in Nsude, Udi, Enugu State, Igbo, Nigeria. They were photographed by British anthropologist G. I. Jones before they were razed into a sand heap by British colonists and missionaries (!930s). Published Online in G.I. Jones Photo-Archives and in Catherine Acholonu, The Lost Testament of the Ancestors of Adam (2010). The Igbo tradition of building step-pyramids of graves of kings and heroes of renown died with the coming of Christianity. rats) in Nsude, Udi, Enugu State, Igbo, Nigeria. They were photographed by British anthropologist G. I. Jones before they were razed into a sand heap by British colonists and missionaries (!930s). Published Online in G.I. Jones Photo-Archives and in Catherine Acholonu, The Lost Testament of the Ancestors of Adam (2010). The Igbo tradition of building step-pyramids of graves of kings and heroes of renown died with the coming of Christianity.
Plates 5a,b: Ancient Igbo Step-pyramids (Sumerians called them Ziggurats) in Nsude, Udi, Enugu State, Igbo, Nigeria. They were photographed by British anthropologist G. I. Jones before they were razed into a sand heap by British colonists and missionaries (!930s). Published Online in G.I. Jones Photo-Archives and in Catherine Acholonu, The Lost Testament of the Ancestors of Adam (2010). The Igbo tradition of building step-pyramids of graves of kings and heroes of renown died with the coming of Christianity. rats) in Nsude, Udi, Enugu State, Igbo, Nigeria. They were photographed by British anthropologist G. I. Jones before they were razed into a sand heap by British colonists and missionaries (!930s). Published Online in G.I. Jones Photo-Archives and in Catherine Acholonu, The Lost Testament of the Ancestors of Adam (2010). The Igbo tradition of building step-pyramids of graves of kings and heroes of renown died with the coming of Christianity.
Plate 6a Plate 6b
Plate 6a (left): Ikom monoliths, Cross River State, Nigeria. Were these ape-men in the self portraits, the authors of the monoliths that bear their images? Plate 6b (right): Igbo Ukwu – Serpent bearing an EGG or a SEED in its mouth is in consonance with the claim by the Kings of Sumer that their Land is “Edin Land”, for it can only be an allusion to the Serpent of the Garden of Eden who gave Eve the SEED she ate to bring about the birth of humans (Homo Sapiens). This seal in Igbo Ukwu simply implies that the Agade civilization was an offshoot of Adamites of Eden, with the cooperation of the Adite Ape-men of plate 1o above and plate 6a, left.
Plate 6a (left): Ikom monoliths, Cross River State, Nigeria. Were these ape-men in the self portraits, the authors of the monoliths that bear their images? Plate 6b (right): Igbo Ukwu – Serpent bearing an EGG or a SEED in its mouth is in consonance with the claim by the Kings of Sumer that their Land is “Edin Land”, for it can only be an allusion to the Serpent of the Garden of Eden who gave Eve the SEED she ate to bring about the birth of humans (Homo Sapiens). This seal in Igbo Ukwu simply implies that the Agade civilization was an offshoot of Adamites of Eden, with the cooperation of the Adite Ape-men of plate 1o above and plate 6a, left.
Plate 7 Plate 8
Plate 7 (right): The Khemennu eight-pointed star symbol on the Ikom monoliths confirm them as Khemennu scribes of the Duat. Plate 8 (right): The eight-pointed Star symbol of the Sumerian Khamazi (Egyptian Khamesh)city of Priests, City of the god Thoth and his ape-men scribes!. 16
Plate 7 (right): The Khemennu eight-pointed star symbol on the Ikom monoliths confirm them as Khemennu scribes of the Duat. Plate 8 (right): The eight-pointed Star symbol of the Sumerian Khamazi (Egyptian Khamesh)city of Priests, City of the god Thoth and his ape-men scribes!. 16
Plate 9a Plate 9b
Plate 9a (left) Seal of Pharaoh Khamasesshi with Sumerian/Igbo/Egyptian semiology script. Plate 9 b (right): Early Stone Age (before 500,000 BC – the rough stones), Middle Stone Age and Late Stone Age (300,000 – 100,000 BC – the very smooth and less smooth) stone implements recovered from the Ugwuele caves of Early Men in Abia State, Igbo land, Nigeria 1970, lodged at the University of Nigeria Archaeology Museum (photo by Catherine Acholonu).
Plate 9a (left) Seal of Pharaoh Khamasesshi with Sumerian/Igbo/Egyptian semiology script. Plate 9 b (right): Early Stone Age (before 500,000 BC – the rough stones), Middle Stone Age and Late Stone Age (300,000 – 100,000 BC – the very smooth and less smooth) stone implements recovered from the Ugwuele caves of Early Men in Abia State, Igbo land, Nigeria 1970, lodged at the University of Nigeria Archaeology Museum (photo by Catherine Acholonu).
Plate 10 - Recent Mapping of the Human Genome Project result released online by National Geographic shows Nigeria and Chad as the origin of Human Kind (See Google Maps).
Plate 11a Plate 11b
Plate 11a: NOK artifacts from Plateau State in Middle Belt Nigeria. The eyes are obviously symbolizing the crescent moon hugging the sun-disc (“EDEN”). The upward-slanting stripe above the eye (left) is the Sumerian Ogam letter M. Added to the crescent/sun-disc, both create the word MA-GAN. Magan was a famous Sumerian ancient city always mentioned along with Egypt in Sumerian texts, but whose real identity has never been ascertained. From the famous NOK slanting eyes with holed pupil, we know that MAGAN was Nigeria.
Plate b (right): The cross-hatching hairstyle is the Sumerian pictographs for the word SI/SIG, which could mean ‘Official”.
Plate 11a: NOK artifacts from Plateau State in Middle Belt Nigeria. The eyes are obviously symbolizing the crescent moon hugging the sun-disc (“EDEN”). The upward-slanting stripe above the eye (left) is the Sumerian Ogam letter M. Added to the crescent/sun-disc, both create the word MA-GAN. Magan was a famous Sumerian ancient city always mentioned along with Egypt in Sumerian texts, but whose real identity has never been ascertained. From the famous NOK slanting eyes with holed pupil, we know that MAGAN was Nigeria.
Plate b (right): The cross-hatching hairstyle is the Sumerian pictographs for the word SI/SIG, which could mean ‘Official”.
NOTE: All bronze and copper artifacts listed here are courtesy of Thurstan Shaw as published in various texts by himself and by the National Commission for Museums and monuments, as well as in Catherine Acholonu et. al. They Lived Before Adam, Abuja, 2009; The Lost Testament of the Ancestors of Adam, Abuja (2010).
Catherine Acholonu.
Catherine Acholonu.